Showing posts with label Business of Writing. Show all posts
Showing posts with label Business of Writing. Show all posts

Tuesday, November 12, 2019

Tick-Tock, Don't Stop

I recently restarted the clock on some creative goals. No, not at 0000 hours. More like at "Hey, the clock says THIS is where I am, so let's go from there."

I'm taking this approach not because I'd ever stopped making progress. I just figure now is a good time to pivot away from the myth of my own making that I'm thismuch behind in anything and, therefore, somehow behind in Life. (Spoiler alert: I'm right on time, one that's mine alone to tell.)

And besides, doesn't catching all the way up signal The End? No one wants that.

So, I've hit a mini reset button and am taking a quick sec to feel proud of the many creative milestones I've already ticked off while also meeting and/or exceeding other life obligations and expectations.

I'm not stopping. Just taking everything step by step, minute by minute, day by day. 

Feel like joining me?



Friday, July 15, 2016

Change Is Afoot

How do you like LLOwens.com's new home page? The full website is still a work in progress as I complete a move into brand-new digs after leaving the hosting platform I've used for 13 years. I've done enough work so far, though, to go ahead and launch an early version of the update.

Now I look forward to completing the (what seems monumental) task of further developing its various pages. At the moment, for example, cover images for most of my still-in-print titles are up on the Books section's Fiction and Nonfiction subpages, but there's nary a book summary to be had. See the buttonlike thingies I added under the home page's main image? They represent the categories, or bookshelves, I expect to build into the site, and someday they will be clickable buttons. I also have plans for adding more useful content to the Author Visits and Bio pages. These things do take time.

Some of you may have noticed another change. Maybe. It's subtle, but to me it's BIG.

Check out the author name I'm now using for my site and this blog. Yep, I've switched to Lisa L. Owens. That's what I used in the contracts for my next two books (biographies coming out in 2017), and for me this shift also signals the beginning of a new phase in my kidlit career. "L. L. Owens" has served me well, but that pen name was essentially chosen for me in the late 1990s when I started publishing. It made total sense at the time, and I have nothing but positive feelings about it. But I've decided to claim my full name as I pursue writing more trade books and fewer titles geared specifically for the school and library market. More on all that another day.

Change is hard — but it is good!

Monday, September 01, 2014

My Latest Titles

I'm pleased to share my new titles for Fall 2014 — two books in the Rourke nonfiction series United States Regions: Southern Region and Southwestern Region. These are, as you might guess, state studies books intended for classroom use in Grades 3–5. The content focus is to identify and investigate regions based on their common geography, industry, agriculture, and culture. I enjoyed getting to learn more about my two regions and working to make the information and broader concept used to frame it accessible for young readers.

Pretty covers, don't you think?

Monday, July 07, 2014

The "My Writing Process" Blog Tour Stops Here Today

Dori Hillestad Butler
Have you seen this writing-blog meme making the rounds lately? Well, last week, the talented Dori Hillestad Butler tagged me in her tour post, and I accepted the challenge. Dori and I met this spring when she moved to the Seattle area from Iowa City (my old stomping grounds), and we've discovered that our writing careers and Midwestern roots are just two of quite a few things we have in common. Thanks for putting me on the blog tour hot seat, Dori!

Be sure to visit Dori's author site to learn more about her numerous children's books, including the Edgar Award–winning The Buddy Files: The Case of the Lost Boy and her super-fun looking Haunted Library mystery series launching this summer.



And so the time has come for me to answer the tour's four questions designed to give readers a peek at how a writer's work . . . works.

(1) What am I working on?

I just recently finished checking layout proofs for two nonfiction books of mine due out later this summer. They're part of a new Rourke series called United States Regions, and I wrote the titles covering the South and Southwest. I can't wait to see the final copies!

My current works in progress include
  • a YA historical novel, aka My Pet. This project is where I focus all my off-the-clock writing energies right now.
  • one humorous picture book in revision, three additional picture books at various stages of development, and the dream of writing a YA nonfiction picture book to accompany the novel-in-progress mentioned above. But first things first — like finishing My Pet.
  • two middle-grade mysteries I once sold but that were shelved before publication during the economic downturn of 2008. I own the rights to those and will revise, submit, and hope to sell again.

(2) How does my work differ from others of its genre?

I tend toward writing quieter, character-driven fiction and heavily researched but highly accessible nonfiction (whether it's prompted by a publisher's specific topic request or it grows out of some tidbit that sparks my own need to know/write it). Because I work with a number of genres, markets, and target age levels/audiences, it's difficult for me to make any blanket statements describing my writing. But I do believe my voice comes through in each book. That's the goal, anyway. In my view, voice is the thing that differentiates any writer's output, whether it's a person's body of work or a stand-alone piece of writing.

(3) Why do I write what I do?

At the why-I-write-for-kids level: I feel at home writing for young readers because as a young person I always felt at home while reading and writing. I read so much and wrote so much (in those days I wrote in diary format) that growing up to work with words for a living seemed the only logical result of all that reading and writing. Reading and writing for the win!

At the why-I-write-things-like-my-personal-WIPs level: Because I have no other choice but to write those things. The stories I create come from my needs to
  • express thoughts and ideas
  • shine a light on small details and big concepts
  • weave compelling tales
  • present new information (or known information in a new way)
  • examine universal feelings and experiences
  • experiment with different types of writing
  • share my heart

(4) How does my writing process work?

It's the same for every project! Oh, and it's different for every project!

That constancy mixed with variety is one of my favorite things about writing.

But let me go into at least a little bit of detail:

I've yet to write anything that didn't involve some type of research, so after my idea takes hold, the research is where I start. This is true whether I'm working on fiction or nonfiction, and the amount of research I need to do varies. I might research a setting detail, potential character name, or biographical fact and get straight to writing — or I might spend months gathering and vetting piles of research before keying in Word One.

Sometimes I do the research and set it aside for the rest of the writing process. For my humorous picture book in development, for example, I did a quick check on the developmental appropriateness of my protagonist's dilemma relative to her age. I didn't need that information to write a draft, but that took no time to investigate, so why not.

Then there's the other end of the spectrum: Sometimes the research continues all the way to the bitter end. For the Neptune title in my Space Neighbors series, I monitored NASA's live feed of breaking Neptune research until probably an hour before turning in my final draft. A true nail-biter!

Once I've done some cursory research, I outline or outline/plot, depending on the type and expected length of the work. Then I start writing. If I have a deadline, I write to that. Deadline is here? Then the writing is done. If I'm writing on my own and plan to pursue publication, I set writing goals — and reset them if/when needed.

Now, if I'm writing on my own and have no particular plans for the work beyond trying it, I write until I stop getting anywhere. I may set it aside and pick it up again later. Or I may forget the writing ever existed. I know this can happen because I've had occasion to stumble across work I have no recollection of creating. What can I say. Life happens and things slip through the cracks. Besides, fellow writers, I'll bet you've done the same thing, too. OK, let me revise to plead: Please, fellow writers, PLEASE tell me you've done the same thing, too!

Thanks a bunch for reading my writing-process tour entry. For next Monday, I'm passing the blogging baton to my friend Wendy Wahman, the award-winning author-illustrator of some of my favorite picture books, including Don't Lick the Dog: Making Friends with Dogs, A Cat Like That, and Snowboy 1, 2, 3 (this one was illustrated by Wendy and written by Joe Wahman).


Don't Lick the Dog was selected as a 2010 Bank Street Best Children’s Book of the Year, starred for Outstanding Merit, and accepted to the Society of Illustrators Original Art show. Her book trailer for A Cat Like That was selected from over 7,000 entries for the Walker Art Center’s Catvidfest 2013. Wendy’s editorial illustrations have appeared in major publications including Harper’s Magazine, The New York Times, The Los Angeles Times, and the Harvard Business Journal. She teaches art classes through the nonprofit organization Powerful Schools, and she enjoys sharing creativity exercises with both children and adults. 

Look for Wendy's post July 14!

Monday, February 18, 2013

And the Books Go to . . .

My Books for Writers Giveaway contest has closed. Thank you to all who entered. I crossed my fingers and rooted SO HARD for everyone!

No doubt you want me to jump straight to announcing the winning names, but I have to take a moment to say that — holy COW — running the entrant lists through the List Randomizer was downright stressful. I'm definitely going to need some chocolate this afternoon.

But. Back to the contest results:

(1) The lucky recipient of Mary Kole's Writing Irresistible Kidlit is Laurie Thompson!!!

(2) The lucky recipient of Chuck Sambuchino's 2013 Children's Writer's & Illustrator's Market is Tricia Lawrence!!!

Congratulations! I'll get in touch with both of you to arrange prize shipment.

Thanks again to participants for commenting on children's books you love. It's always fun to see which ones make other writers' hearts go pitter-patter. The new-to-me titles are going on my to-read list, pronto! (Anyone reading this can find some great book recommendations and writer blogs/sites at the original contest post.)

Okay, I'm publishing now. It took a while to run the randomizer, refrain from snacking, find a suitable (and free) piece of megaphone clipart, and decide whether — according to my blog's established post title style — I needed to capitalize "to."

Blog at you again soon!




Thursday, February 14, 2013

Books for Writers Giveaway!

Here's a shocker for you: I own lots of books about writing.

Sometimes, for whatever reason (such as when an unexpected gift or review copy shows up), I find myself in possession of two copies of the same title.

Well, guess what! In my hot little hands at the moment are extra copies of [imagine a crisply dramatic drum roll, please] . . .


(1) Writing Irresistible Kidlit: The Ultimate Guide to Crafting Fiction for Young Adult and Middle Grade Readers by Mary Kole


(2) 2013 Children's Writer's & Illustrator's Market by Chuck Sambuchino


I couldn't possibly bring myself to toss these in-demand books into my donation pile. They're too good. People need these. MY PEOPLE need these. So because I'm already in a sharing mood, I've decided to give away these gems in a little contest that starts NOW.

To be eligible to win one of the featured books, you must:

1. Write for, or sincerely aspire to write for, children and/or young adults. I will rely on the honor system.

2. Maintain your own website and/or blog. It does not need to relate to writing for children.


3. Leave a comment on this post. All comment conditions listed below must be met.
  • In your comment, please share something you absolutely love about any one children's or YA book of your choice. It can be anything — a character, scene, theme, quote, dialogue snippet, setting, storyline, relationship, conflict . . . whatever makes your heart race with love for that particular work. There are no wrong answers. Any big or little thing that contributes to your kidlit book love is fair game!
  • Link to or list your website/blog and tell us what kinds of things you write or hope to write for kids.
  • Specify which ONE of the two giveaway books you hope to win.
  • Note: If you wish to be considered for both book prizes, YOU MUST ENTER TWICE. To do so, leave two separate comments, with each one featuring a love moment from a select title — and each comment specifying your contest book selection. For example, if entering twice, you could mention a Mockingjay plot twist you love in your entry comment for Writing Irresistible Kidlit and then, in your entry comment for 2013 CWIM express your love for the magical visual world in David Wiesner's Flotsam.

The fine print: This contest kicks off at 12:00 p.m. Pacific on Thursday, February 14, 2013. It ends at 12:00 p.m. Pacific on Monday, February 18, 2013. The two winners — one for each featured book — will be selected from all qualified entries using an online list randomizer. Winners will be announced on this blog during the day on Tuesday, February 19, 2013, after which I will contact winners to make shipping arrangements. Postage is included in the prizes; the glass hearts and overhead-office-light spots pictured on the book covers are not.

I'm excited to run this contest (the first-ever for my blog!) and I hope you enjoy the thrill of the entry and seeing what makes other writers like you fall head over heels in love with books for young readers.

Remember to enter by noon Pacific on Monday, February 18, 2013 — and please share news of this contest with all your writer friends!

Happy Valentine's Day to all!

Thursday, November 10, 2011

I'm Writing

Checking in to say, as the title implies I might, "I'm writing."

I always am, of course; always with the writing. But I've recently (why, just this week, if you must know) re-prioritized my various writing projects, and I'm working on a scheme that I dearly and deeply hope will allow me to put my YA novel WIP first, for the first time ever, in the very near future.

I mean, come on: It has to happen sometime.

Thursday, September 29, 2011

Streamlining

Last week I cruised over to my author site to do a little maintenance work. The only problem was that mere maintenance wasn't going to cut it. Fact is, my site has been in "overhaul" mode for well over a year (okay, two years this month!), and I just couldn't get excited about completing the work I'd started.

That was not the first time this had happened.

But. It was to be the last.

I finally fully realized that I wasn't motivated to implement the changes I'd put in motion because deep down I knew they wouldn't solve the main problem — that maintaining both a stand-alone author site and a separate blog doesn't work for me anymore.

So in the weeks to come I'll merge the separate entities to create one Blogger-hosted site found at my typical (redirected) author site's URL.

It can be done, it shall be done, and it will be grand.

Tuesday, February 01, 2011

Happy New Year! (Yes, I Know It's February.)

Having recently climbed out of the work hole I was in (oh, and to clarify — it was a happy hole), I've decided to officially embrace 2011. I think it's going to be a good year!

I'm approaching it with an everything-old-is-new attitude. Which means: I'm restructuring my time to revert to a work/life plan I put into place (but that, ultimately, fell apart for reasons I feel just fine about) a few short years ago. Which means: In my freelancing life, I plan to concentrate on sussing out more jobs that don't directly compete with ongoing projects in my straight-up authorial life.

Why? Well, I've found that — at least right now — I can't reliably tap in to my creative energy stores to regularly work on my pet WIPs when I'm so focused on writing book after book during my typical workaday days. (And, let's face it, nights too.) Both types of writing projects require all the same skills and energy. But the for-hire series writing I've been doing (and loving! please don't get me wrong or stop offering me the work!) requires a fast pace and total attention that truly make my other writings fall off the list for, sometimes, months at a time. (If not years. As long as we're facing things.)

And I am just not that into said scenario as 2011 begins.

I'm not even talking about summarily refusing write-for-hire book gigs. Ha. But I can pay more attention to the way my projects stack up. I can exert influence over the way this year's work schedule unfolds. SO. As I start looking for the next thing . . . and the next . . . I'll be searching for more projects that use my extensive editorial skills (seriously, editorial work uses a whole different part of the brain) — and some writing jobs for even slightly different audiences than direct-to-kid books.

Nothing I haven't done before. Which means: It's the new, old, new old me. Or some dang thing.

Wish me luck!

Friday, December 24, 2010

My Essay in a Holiday Anthology

A few years ago in autumn, an editor connection emailed asking whether I knew any Florida writers. She needed at least one new personal essay for a book called A Florida Christmas. The catch? She was calling on a Monday needing final copy on Wednesday for a book going to press on Friday. (!!!)

"I can't think of anyone," I replied, continuing as any enterprising freelancer might . . . "but I've been to Florida for the holidays, and I'd be happy to provide an essay." 

I pitched my premise that evening and wrote the essay as soon as I'd met another deadline the next afternoon. No moss grew under this particular project! The book did go to press that week, but they couldn't get it printed in time for that holiday season and so released it the next year, in 2008.

The book itself is quite nice, with a lovely design and a good selection of stories old and new. I'm happy with the essay, but mostly because it's fun to write fast, it's fun to write about personal experiences, and it was fun to give the finished book to my dad. I will say, though, that had I had another day with the writing, I'd like to think I would have cut it down by quite a bit (with a little distance, one easily sees one's ramblings and redundancies) and fixed the typo I see. But, then again, I did have a specific word count to meet and not a lot of time to work with, so who knows!

I thought my fellow freelancers would enjoy the backstory — and that, perhaps, blog readers might like to see the published piece.

"Snowbirds in Paradise"

I have never lived in Florida, but one set of my Midwestern grandparents wintered there for years. My first visit at Christmastime 1975 left its mark on me. And, as often happens with memorable events or eras worthy of reflection, that “mark” continues to shift and grow.

The family trip itself — an unheard-of winter vacation — was something to revel in. It was HUGE compared to the other trips I had been on. I enjoyed seeing the sites and trying to make sense of the different climate (it was unseasonably cold during our stay yet still nothing like any Christmas weather I’d seen). But as we crammed a host of quintessential Florida activities into a few short days, I also paid close attention to the way Grandma and Grandpa passed the time at their Winter Haven retirement community. I had grown up visiting their busy Iowa farm, where they worked long, hard days for more than 40 years. Theirs was the first retirement lifestyle I had ever seen up close, and I was fascinated.

In those days Florida was held up as the place to vacation. I mean, what landlocked people who aren’t out of their severe-winter-surviving minds don’t dream of taking a break from all the snow and ice and gray? On any given day in Iowa from November through March you can bet that most cold, weary natives are likely spending at least a few moments daydreaming of walking barefoot on a sandy beach, splashing in the ocean, or lazing under a swaying palm tree in a tropical paradise. Iowa has its finer points, but you do have to leave it to enjoy any of those pleasures. And Florida was just plain easier for us to get to then than, say, California, Hawaii, or the Bahamas.

Even as a young child I was drawn to the idea of visiting the Sunshine State. In the late 1960s and early 1970s it frequently starred in books, movies, magazines, and everyone else’s vacation slideshows. Classic TV fare such as Flipper, The Everglades, and Sea Hunt highlighted Florida’s breathtaking scenery and spun many exciting adventures across its sand, surf, and vibrant, rainforested turf.

Naturally the influence of a certain mouse called Mickey cannot be ignored. Every Sunday evening until the series ended, I sat glued to The Wonderful World of Disney. All the kids of my generation did the same, and at one time or another probably every last one of us nursed a desire to visit one (or both!) of the two most incredible amusement parks imaginable. How could we not want to see the magic for ourselves after soaking up the weekly footage from the parks and all the other cartoons, movies, and otherworldly wonders conceived by the Disney machine? Perhaps my attitude simply grew out of being old enough to remember when Walt Disney World’s® Magic Kingdom first opened in Florida. I’m not at all sure now. But it’s comical to recall my staunch childhood opinion that the Florida-based theme park was superior to California’s in every possible way. In my mind, it was newer, bigger, brighter, and all-around better. And Florida just seemed like a more interesting place to visit.

I’m 42 now, making me all of 10 years old when I first set foot on Florida soil December 26, 1975. I was excited to be there, no doubt about it. (Truth be told, I was excited to be anywhere.) Air travel was still a relative novelty, and the swanky-as-far-as-I-knew Delta flight from O’Hare to Orlando did not disappoint. The holiday spirit was palpable, and it was so festive onboard: champagne and decks of cards for the adults, Shirley Temples and plastic wings for the kids. The pretty stewardesses cheerfully offered chewing gum if your ears needed popping (check) and rustled up extra napkins advertising “Your Choice of Cocktails, Just $1.50” and Delta/Camay soap wrappers for kids on the hunt for stuff to cram into a scrapbook (double-check).


I was also worried about how the visit with my grandparents would play out. My worry had nothing to do with not wanting to see them. It was just that I liked to know what to expect before I had to live it, and I couldn’t quite figure out what was in store in Winter Haven. Oh, I’d heard all about my grandparents’ life there, but I needed to see it for myself to understand.

For example, the concepts of retirement community and trailer park were abstract to me. Talk of the many organized activities (which seemed compulsory, to my ears, as imposed by the ominous-sounding Park Association) — coupled with my impression that Grandma and Grandpa’s trailer had wheels and movable walls (huh?!) — also left me concerned. I’d heard them talk about living on a budget and slowing down in their “old age” and pictured them possibly living in some sort of camper parked in a strange nursing home–state campgrounds hybrid. Would there be electricity? A working bathroom? Would the Association make us all play Monday shuffleboard and eat prune Danish at the clubhouse?

All of those thoughts swirled around in my 10-year-old head. But the biggest question going for me was, Will we get there to find Grandma and Grandpa looking and acting like the really old people who go to Florida for the winter? Never mind that I had just seen them looking vibrant and healthy and perfectly normal at Thanksgiving. In my mind, Florida was where all the old people went to, well, get even older. Scary stuff!

So, I confess that I stepped off that plane with trepidation. When at last we exited the freeway and drove through the trailer park’s entrance, I couldn’t have been more relieved. We’d landed in a neighborhood that had streets and everything. There were real buildings and paved drives. The trailers were shaped like regular houses, and many sported strings of holiday lights. My grandparents’ home had a carport, shutters, carpeting, a real kitchen, and yes, a bathroom. Whew!

The next day after breakfast and a round of Florida-themed welcome gifts for the three kids (mine was a silver palm-tree charm), Grandma and Grandpa gave us a guided tour of the park. We met what seemed like everybody I already knew from their hometown, plus a few outsiders from Michigan and maybe a Dakota or two. We saw the “shuffle” courts where Grandpa was, reportedly, King; the sparkling, bustling, well-furnished clubhouse; and the murky swimming hole/swamp where — to my horror — “mature” gals in industrial-strength bikinis and real-live alligators routinely sunbathed. I only caught an eyeful of the former, but apparently neither sight was cause for alarm to the park residents.

This place, I learned, was neither campground nor nursing home. It was Club Med for the thrifty, settled set eager to enjoy some well-deserved R&R. Grandma and Grandpa were there to take full advantage. It amazed me that they did absolutely whatever they wanted, whenever they wanted. Every day. Kind of like a typical Christmas break for me, except they obviously knew how to make every minute count for something. I also marveled that they seemed unfazed by the disconnect of putting up a tree (theirs was a foil tabletop number), singing carols, and welcoming Santa in shorts, all while the lawn needs mowing.

Each of my grandparents’ days in Winter Haven boasted a nonstop string of leisurely pursuits — enough to make them a tad tired, even harried, from all that concentrated recreation, but none of it was too over the top to complain about. They enjoyed morning coffee at the clubhouse, giant-tricycle rides around their trailer park, and late-morning golf outings. They loved their afternoon shuffleboard tournaments, early-bird dinners, and evening bridge-and-dessert parties. And then there were the group day trips to the tourist traps, weekend pilgrimages to the flea markets, and tons of “neighboring” to keep up with. Their Florida life was full, and naps were encouraged!

I’d never seen them look happier or act more carefree and the truth is, I probably never did again. They had earned their Snowbird wings, and they were smart enough to cherish them for all they were worth.

During our stay we hit as many family hotspots as time allowed. Sea World® was one of my favorites. And it was Holiday Fantasy season at Disney World®. I loved the huge nighttime parade capped off with fireworks and Santa in his sleigh. The impressive water-skiing shows at Cypress Gardens made up for my youthful lack of anything resembling interest in the whole gardens aspect of the place. And, even though we needed long sleeves and blankets the day we hit Clearwater Beach, I was beyond thrilled just to see the ocean and sit under a cabana. Let’s see, I also see from my scrapbook that we visited the Waverly Citrus Packing House. Hmm, that’s odd. Not one memory of that one. Wait . . . uh . . . nope. Nothing. (Who picked that, anyway?)

It’s funny, because even though I have photos and souvenirs from all the big must-sees, it’s Grandma and Grandpa’s “Florida” that left the deepest, most lasting impressions on me. They had citrus trees in their backyard, ’gators in the swamp a short walk from their place (again, no big deal!), and ready access to the beach, shopping, and nice restaurants. They indulged in such exotic regional fare as lobster, shrimp scampi, and Key lime pie. They learned new crafts and played new sports. And clearly, absolutely none of it was worth taking seriously as long as they had plenty of good friends, family visitors, and each other to share it with.

More than 30 years later, it is still a joy to remember my Snowbird grandparents as they were that Christmas in Florida: active, relaxed, and contented. Lucky for me, I got to see their slice of paradise up close — and I am confident I’ll find my own piece of the Key lime pie when the time is right.

Wednesday, September 22, 2010

Selling Myself

I am in between projects at present. Waiting for new writing guidelines to come in. Any. Minute.

Meanwhile, I'm spending ALL of today and tomorrow (even if the guidelines get here, which they won't until Friday) looking ahead to potential new business. On my list of things to send out: a simple "Hello, I am here" email to two regular clients; an updated publications list with samples to a developer asking for same; a nonfiction proposal to a publisher I've worked with in the past; a reply to a foreign publisher asking me what I do; and a writer-in-residence application for next year.

If I still have extra time, I'll implement some sorely-needed updates to my author site and editorial services site. Those poor dears need to be ushered into 2010.

Exciting days in the life of a writer-for-hire!

Monday, August 23, 2010

Plugging EFA's Fall Classes

It's that time of year again — time for me to plug the fall course lineup I put together as education chair for the Editorial Freelancers Association.

First up, starting September 21 in Seattle, is the NEW-to-EFA 12-week The Artist's Way Class based on Julia Cameron's bestselling book on creativity, The Artist's Way. This is an excellent opportunity to work through Cameron's program (and more!) in a fun and supportive group setting. The class meets Tuesday evenings through December 7 at Present Sense.

Next, we have a trio of online classes (by far our most popular format!) to suit a number of professional-development needs:
  • Proofreading — starting September 23. Taught by our popular copyediting instructor, this 5-week online course is a great intro to proofreading for anyone wishing to explore the topic or expand their editorial skills.
  • How to Get Freelance Writing Work — starting October 13. If you want to write great pitches, make more effective business calls, and sell higher-paying stories, this 5-week online class is for you!
  • Navigating the Children's Writing Biz — starting October 29. This NEW 4-week online class demystifies the business side of children's publishing. Lessons cover the market, must-have resources, submissions processes, and networking.
Then later in the fall, we're heading East to sponsor three more in-person workshops:
  • Substantive Editing I — November 6. This one-day clinic is held at EFA Headquarters in Manhattan focuses on editing for clarity. The instructor uses a mix of lecture, in-class exercises, and group discussion.
  • Substantive Editing II — November 13. Picking up where the first clinic leaves off, this workshop — also held at EFA Headquarters — delves deeper into the art of substantive editing. The clinic stands alone, and you don't need to have taken SE I to register. (Note that there is a 20 percent discount for those taking both clinics.)
  • Introduction to Indexing — December 4. This NEW half-day workshop in Richmond, Virginia (a new location for the education program!), gives freelancers an overview of indexing as an editorial discipline and helps them think about adding indexing to their list of services.
I am really looking forward to this season!

For full course descriptions and to use EFA's secure online registration system, visit the catalog page today. And do feel free to help spread the word!

Friday, August 06, 2010

May the Force Be with Me (or Somesuch Thing)

Han Solo, are you there?
Last year I blogged about writing six nonfiction picture books in six weeks. I thought that was ambitious.

Whoa there, kids, hang on a second. I should clarify: I knew that was ambitious.

I'll be wrapping up a book I started yesterday by the end of TOday. (Knock on wood.) (No, wait, that implies it might not happen. Must make it so.)  And then guess what?

Four more books by next Friday the 13th.

Wheeeeeeeeee!

Saturday, July 17, 2010

Weekend Work

Every once in a while the writer-for-hire has no choice but to work the weekend. Sometimes I work on a weekend just because I feel like it. And yes, sometimes I really do just feel like it. (What can I say, I like to work.) But this weekend I just plain need to work. Not nearly enough hours in the regular days.

See, I took on this large rush-job project only recently, and instead of trying to negotiate more reasonable deadlines, I accepted the client's timeline terms. That's despite still needing to meet a different client's deadline first. (Which I did, thankyouverymuch.)

Funny thing is, I think I could have gotten a little scheduling leeway. I've worked with this client many times. And my editor actually said, in a legal-evidence-quality email, that we could talk about spacing out dates if I wanted to.

But — does this sound strange? — I really didn't want to. (I. Know!)

It's the freelancer's dilemma:

If I'd stretched out this work and actually taken that extra time (which, to try to be clear, wasn't really extra time at all), I'd be bumping in to, or possibly jeopardizing, deadlines for a project set to start a bit later. If I want this particular project I'm working on . . . and, obvs, I do 'cause I'm working on it . . . my own schedule demands that I finish the work in time to do the next thing.

And this is where I'll leave you, my bloggy friends. Saturday night break time is over. I need 200 more words before bedtime, and I'll be hanged if I'm not going to write them.

Wednesday, April 14, 2010

New Picture Book Series Coming Soon!

Early last year I wrote (and blogged about doing so) a six-title picture book series for Magic Wagon Books based on the theme of community. Finally, the series has a ballpark release date of September 2010!

Funny thing is, I only know this because I saw that the books had been added to Amazon. That means they have ISBNs and everything. Oh, and final-final titles, too, all under the series name Let's Be Social:
  • Make Friends
  • Family Gatherings
  • Go to School
  • Go Worship
  • Join a Team
  • Meet Your Neighborhood
Wish I had covers or other illustration samples to share, but right now I'm just excited to know that the books are, in fact, coming soon. This was a challenging project for me — six books in six weeks — but I had lots of fun working on it.

More later, of course!

Wednesday, January 27, 2010

Deadline to Act on Google Book Settlement Is 1/28/10

Authors, publishers, and organizations:

A reminder that Thursday, January 28, is the deadline for you to act regarding the Google Books Settlement. The court needs to have your individual position on the record TOMORROW (a 1/28 postmark works) so it can be represented in the February 18 fairness hearing on the whole deal.

Your options are to (1) opt in and make a claim, possibly getting some money; (2) opt out of the settlement (of course that means no settlement money) in an effort to preserve your rights; or (3) do nothing, which will result in your receiving no settlement money and implicitly giving Google irrevocable rights to use your works in certain ways.

I hope you find this resources roundup helpful:

  • Official settlement page.
  • Recent webcast/workshop on the settlement, featuring a moderated panel representing various entities and viewpoints.
  • Authors Guild resources page.
  • National Writers Union FAQs on the issue.
  • Statement opposing the settlement from Richard Wright's estate.
  • Support for the settlement from the families of John Steinbeck and Woody Guthrie.
  • Open Book Alliance's third-party analysis of the settlement. (OBA is calling for the settlement to be scrapped.)
  • U.S. Copyright Office opposition to the settlement, as presented to Congress.
  • Ursula K. Le Guin's call to exempt the United States from the settlement.
  • Informative article in New York Review of Books.

This is a complicated issue, and I know people that are opting in, opting out (my choice), formally objecting, and doing nothing.

What are you doing? Care to share?

Tomorrow may be your last chance to act on your opinion.

Saturday, October 31, 2009

Writer, Write for Yourself. Or, Trick for Treat?

I'm never not writing, you know. Even when I breeze past this blog every day for weeks without giving it so much as a sidelong glance. Even when I let my pet-project manuscripts languish on my desktop — or worse, in the depths of my iMac's complicated e-filing system.

I'm always writing lists, notes, business emails, personal emails, personal blogs, journal entries, Facebook/Twitter/LinkedIn updates, rough story ideas, and — of course — large word collections (aka articles, texts, and books) commissioned by outside entities (aka paying clients).

The whole writing various things for those outside entities is a good thing. In fact, it's THE thing, isn't it? I can say quite definitively that I do not wish to go without that.

But. I struggle with wanting to make more real time for the writing I want to do just because I want to do it. So today I did something I haven't in a very long time: I signed up for a writing class. A 12-weeker, besides! (Basically, it's an instructor-led critique group, so I'll get to really move on one of my YA novels.) I decided it's worth the investment because it sets me up to succeed in something done purely for myself. Because you'd better believe I will meet goals I've paid to declare.

And that, dear blog readers, is both trick AND treat for me.

Monday, September 28, 2009

EFA Fall Classes Start Soon!

I recently rejoined the EFA board as education chair, and I am pleased to share news of our Fall 2009 Education Program. We have an exciting season of targeted professional-development opportunities planned and hope you'll join us for some of our online offerings and/or live events in Seattle and NYC.

ONLINE CLASSES

How to Get Freelance Writing Work (starts 10/13)

Editing Memoir and Narrative Nonfiction (starts 10/15)

Dealing with Nightmare Clients (starts 10/21)

Proofreading (starts 11/2)

Turning Journal Entries into Polished Pieces (starts 11/30)

Writing from Healthy Starts (starts 12/1)

SEATTLE EVENTS

Getting Started in Editorial Freelancing (10/17)

Blogging Basics (12/5)

NYC SEMINAR

Supplementing Your Income with PR Work (11/14)

For full course descriptions, pricing information, and a link to EFA's online registration system, see EFA's main catalog page. Be sure to act now and SIGN UP for any classes you're eyeing, especially those starting just around the corner in October. Class size is limited, and some courses do sell out early.

Hope to see some of you in class! And please share this notice with any interested friends and colleagues.

Monday, September 21, 2009

A Brief Tear on the "Fun" of Writing

Did you watch the Emmys telecast last night? I didn't. I did, however, click on a few Emmy-related news links early this morning and came across this E! Online quote from Mad Men creator (and statue winner for writing) Matthew Weiner:

"When you get something like this, it makes writing look fun, but it's not."

To me, winning an Emmy — or, how about a pretty, pretty Newbery?!?!? — for writing does in fact sound super fun! Yet, as a writer, I know that the work that goes into most award-winning works is, ahem, a whole lotta WORK.

Fun can and should be had while working at any job, certainly. And I doubt any writer /*slash*/ thinking human being would unfavorably compare writing work to, say, physically difficult labor or otherwise emotionally unpleasant occupations (use your own POV/imagination here). Few writers have to work under downright smelly/filthy/scary/dangerous/extreme-temperatured conditions, after all.

When you are a writer (and yes, a kids' writer, even!), you have a job to do. You figure out how you will do it. You get started and actually finish. You meet your deadlines. You collaborate with your editor and your fact-checker and your agent and whomever else you need to keep happy. You, the plumber, the surgeon, the store clerk, the sales rep, the lawyer, the teacher, the animal trainer, the photographer, the chef, the baseball coach, the park ranger, the dentist, the personal assistant, the banker, the carpet cleaner, the engineer, the pastor, and everyone you know in every job you can think of have everything in common ------- you all get it done.

So. I feel obligated to point out and echo and beat to absolute death Matthew Weiner's sentiment. Even though I very much enjoy (and I do mean very.much.enjoy) being a writer who sometimes gets to create fun works, I felt the urge to blog that I never sit down to my desk . . . and I do mean NEVER . . . thinking, "This is going to be fun."

Instead I think things like "This should be easy" or "I have no idea where to start" or "I can't wait to try my new idea" or "Yesterday's writing was crap" or "I need some new research" or "It's time to interview my expert" or "I'm going to solve that plot problem if it kills me" or "Just 1,000 words to go" or "I wish I didn't have to do ANY of today's tasks . . . but of course I will, because that's my job."

And thus concludes my brief tear on the "fun" of writing.

Tuesday, August 11, 2009

Authors Guild to Host Google Book Settlement Teleconference

As many readers know, the Authors Guild has been tracking and reporting on all things "Google book settlement" for about a year — and this Thursday, August 13, they're hosting a free teleconference on the topic for authors and agents. It takes place at 3:00 pm Eastern.

Find more information and sign up for the call here. For links to all relevant issues pertaining to the case, click here.